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Local stylists say wet and wavy full lace wigs started to become popular here within the a year ago. In the beginning, stylists resisted the requests as salon owners desire to be recognized for promoting healthier hair on their clients’ heads as opposed to attaching someone else’s mane. But then Mary J. Blige hit the cover of Essence magazine with an article having said that she wore them. Tyra Banks admitted she wore them on her show, and Beyoncé released her B’Day CD, featuring eight singles that showed her moving, grooving and shaking all that reddish-blond hair.

Immediately the salons started getting calls. Olivia Hughes, owner of Shapes -N- More, says she fields at least five requests for lace-front wigs weekly. Karen Wilson, who owns Simplicity, a Germantown salon, says she has five approximately regular customers with all the wigs, as well as walk-ins every day who find out about them. “I really started doing them this season,” said Wilson, who charges $900 for the wigs as well as the application. “Folks are seeing them plus they simply want them.”

It’s not just the celebrity influence that’s drawing customers for the wigs. Women struggling with alopecia (hairloss) and those that have lost their hair from chemotherapy will also be interested in the wigs’ realism. But not everyone is satisfied with lace-front. Some stylists explain that this wigs have the possibility to be very damaging to skin and hairline.

Anika Thompson, who owns Ryan Foster Inc. in Germantown, refuses to accomplish the applications in her salon. The bonding adhesive could be damaging to the skin and scalp, and sometimes, Thompson says, if the wig comes off, the hairline comes off too. But even more damaging than losing hair coming from a bad application is the losing of confidence that may come from wearing someone else’s hair on your head for months at a time, Thompson says.

“These women come to me with high ponytail full lace wig they may have removed. … [now they have] no hairline,” Thompson said. “The skin on their face is broken out from the adhesive and their own hair is matted and broken off from rubbing against the stocking cap.” Still, you can find people who say the lace-front wig gives them courage to show themselves.

Tuere Brown, 37, experienced a miscarriage she said caused patches of her hair to drop out. The Southwest Philadelphia mother wanted a glance that wouldn’t stress out her hair and would appear natural. So she chose an off-black bob with chestnut-brown highlights that falls just above her shoulder. “I feel great along with it on,” she said. “It seems how I utilized to wear my own, personal hair. I love it.”

He stores it in plastic bins and cardboard boxes, opposite the fishing supplies. “Got grays, got browns, got blonds,” he said. “Got everything.”

Inside one bin, shiny brown bundles nestled around the other person like snakes. He picked two thick braids and lifted them through the bin. Uncoiled, these were three feet long and nearly reached the earth. “This is all Russian hair cut right off people’s heads,” Mr. Piazza said.

Mr. Piazza, 69, is definitely the grandson of Sicilian immigrants, the son of the detective, a tournament fisherman. He fails to appear to be a male who would provide an exotic hair collection in the garage. But for decades, Mr. Piazza was just about the most sought-after wigmakers in New York City. He made custom wigs and hairpieces for Jacqueline Kennedy Onassis, Brooke Astor and Lena Horne at Kenneth beauty salon. He also made the nearest thing the entire world has seen to mermaid hair, creating the long tresses Daryl Hannah wore in “Splash.”

Most of his hair originated from this stash, sourced from around the world, and which eventually outgrew his studio. “I couldn’t close my closets,” he stated. “I had more hair than I knew how to deal with.”

Mr. Piazza is one of the last Old World wigmakers making wigs for the public in the city, people trained mostly by Italian and Jewish immigrants in the centuries-old trade of silk base wigs with baby hair, a fussy affair that sykkcc the patience spectrum falls somewhere between tailoring a jacket and counting the heavens.

These are generally not the-pink bobs at Halloween stores. They are produced from human hair and have intricate hairlines that blend into the skin. To make one requires weaving hair, a few strands at a time, to your lace mesh cap with a small needle, an activity referred to as ventilating. Ventilating a lace wig, which may have as much as 150,000 knots at its roots, takes about 40 hours.